Be even more afraid...

Another great urban myth.

But if you wanna believe, this one feels really freaky........

http://www.hometowntales.com/blackeyedkids.html

Be afraid...very...

Want to know what hell sounds like? Check out this amazing site and listen.

http://amightywind.com/hell/audiofilelinks.htm

(By the way, it's a well-known urban myth, but you'll have a hoot hearing it...that is, unless you believe..........BWAH-hahahahahahahahahahahahahaha!!!!!!

PREVIEW: The Devil’s Rejects

THERE’S a disturbing scene in House Of 1000 Corpses (2003) that sticks out like a sore thumb in the otherwise cartoonish, schlocky gorefest written and directed by Rob Zombie.
Otis Firefly (Bill Moseley) captures a cop snooping round his farm and, as the soundtrack goes silent, the deranged maniac makes the poor bastard kneel before him and sticks a gun to his head.
Twenty seconds go by…30 seconds…the anticipation builds as viewers wait for the inevitable BANG that never seems to come. The scene drags on and on when – just as the tension becomes unbearable – Otis shoots the cop dead.
It’s possibly the most agonising minute of cinema I’ve seen in a long time.
Imagine that minute stretched out to 101 minutes and you have Rob Zombie’s brutal sequel, The Devil’s Rejects, which opens in Australian cinemas later this month.
The insane Firefly family – Otis, sister Baby (Sheri Moon Zombie) and father Captain Spaulding (Sid Haig) – go on the run after a police raid on their corpse-filled farmhouse.
From there, it’s one scene after another of murder, torture and unrelenting horror – occasionally tinged with the blackest of black humour – as they kill everyone in their path while being pursued by a revenge-seeking Sheriff Wydell (William Forsythe).
And at the halfway point – when the director turns everything on its head by making the nutjob family the film’s good guys and the cops the villains – your brain will implode as you scream, “What the fuck…?!”
Final word: The Wild Bunch meets I Spit On Your Grave…one sick motherfucker of a movie.